Harry Potter and the prisoner of Azkaban Essays

Harry Potter and the prisoner of Azkaban Essays Harry Potter and the prisoner of Azkaban Paper Harry Potter and the prisoner of Azkaban Paper Essay will attempt to analyse the different trailer conventions, which make the trailer Harry Potter and the Prisoner of Azkaban a success. The outlined conventions include different scenes, the music and what affect the have on the viewers. This essay will explain the genre of the film and who their target audiences are.  The opening scene starts off with Warner Bros Pictures logo in front of a cluster of clouds, this would be one of the unique selling points, and Warner Bros Pictures are incredibly famous all over the world. The scene is done in slow motion at the start and then speeds up towards the end. Bright colors are used for this logo, bright yellow, sky blue and the logo is outlined in black to make it stand out. The next scene you see Professor Servens Snape (played by Alan Rickman, who is a very famous actor, this would make the fans of Alan Rickman come to watch the film). He makes a dramatic entrance in to a class room where Harry Potter (who is another unique selling point and played by Daniel Radcliffe) and his other class mates are studying; Snape with his wand closes the blinds on the windows and goes to the front of the class and pulls down what looks like a over-head projector screen, at this point the camera moves slightly closer to his face as he says turn to page 304, the clothes which Professor Snape wears and the looks he look on his face give the impression that he is really creepy , when he walks in the class goes quiet this tells us that he is a strict and frightening teacher. : After this a dark purplely black gathering of clouds appear and from the smokes you see writing which says YEAR THREE BEGINS this tells the audience that this isnt the first film or the first year at Hogwarts, the writing is in white font and in capital letters, this makes the writing stand out because the clouds are dark colors and the writing is in light, this catches the audiences attention, we also hear thunder and see lightening, this gives a spine-chilling effect. The very next scene is of a bus on a dark night turning a sharp corner driving at a very high speed dodging past parked and driving cars on the main road. This tells the audience that the film has some sort of adventure in it and will appeal to people who like adventure movies; this is because they look to be having an adventure, driving down a dark road in a bus at an incredible high speed. At this point you see the interior of the bus and Harry Potters shocked face, then the driver who is an old man sitting next to a unusual monster like creature who says Theres an old lady at 12 oclock in a high pitched yet manly voice, the driver then pulls up the hand brake. As the driver dopes this Harry goes smack into the window. The driver counts down from three waiting for the old lady to cross and the monster like creature shouts, YES! and the driver carries on driving again. This part tells us that the film is going to have some sort of comedy scenes; this would appeal to people who like to watch comedy films. This brings us to the next scene which is of an old wet prison cell with an middle aged man sitting inside, here we hear the voice of the traditional deep male authoritative voice telling us that Serious Black has escaped from the prison of Azkaban from another male voice we learn that He is a murderer just then Serious Black looks up at the camera, this tells the audience that the film is also going to have mystery init and will appeal to people who like to watch mystery films. The voice over is at one point the characters and sometimes changes to a males voice, this gives you a variety of voices and youre not stuck with the same voice for the whole trailer, this makes the viewer more interested in the trailer. The next scene is of a crowd of school children standing in a forest two of whom are Hermione Granger (who is played by Emma Watson) and Ron Weasley (who is played by Rupert Grint), the audience would know who the main characters are because they should have seen the first two movies which were released and in order to understand this film the first two have to be seen as the second is a sequel to the third, they both look nervous as theyve seen something however it is not shown to build suspense, Hermione grabs hold of Rons hand, he looks down at his hand then up at Hermione, she turns around and they both look at each other, there a awkward silence here she take her hand off of his hand they both look away as if nothing had happened. The next scene is of Professor Mineva McGonagal (who is played by Maggie Smith) telling two male people whose faces arent revealed in a dark and gloomy room that Serious Black is the reason the Potters are dead and a males voice saying And now he wants to finish what he started in the middle of her saying this the camera is moved to Harrys room, the camera shot is a long shot where the audience see that Harry is sitting on his bed, with his head in his hands. On his bedside he has a table with a lamp and a photo frame with a picture of two people are seen dancing around; these two people are Harry Potters parents, Mr. and Mrs. Potter. This brings us to the next scene where Harry is standing in what looks like some sort of mill, looking very stressed out, here you hear a deep male voice telling Harry I want you to swear to me that you wont go looking for Black! bringing us to the next scene where Harry is replying to the person whose face is not exposed, to build suspense, that Why would I go looking for someone who wants to kill me Harry is the only person whose face we see.

Biography of Dido Elizabeth Belle, English Aristocrat

Biography of Dido Elizabeth Belle, English Aristocrat Dido Elizabeth Belle (c. 1761–July 1804) was a British aristocrat of mixed heritage. She was born into slavery in the British West Indies, the daughter of an African slave and British military officer Sir John Lindsay. In 1765, Lindsay moved with Belle to England, where she lived with royals and eventually became a wealthy heiress; her life was the subject of the 2013 film Belle. Fast Facts: Dido Elizabeth Belle Known For: Belle was a mixed-race English aristocrat who was born into slavery and died a wealthy heiress.Born: c. 1761 in the British West IndiesParents: Sir John Lindsay and Maria BelleDied: July 1804 in London, EnglandSpouse: John Davinier (m.  1793)Children: John, Charles, William Early Life Dido Elizabeth Belle was born in the British West Indies around 1761. Her father Sir John Lindsay was a British nobleman and navy captain, and her mother Maria Belle was an African woman that Lindsay is thought to have found on a Spanish ship in the Caribbean (little else is known about her). Her parents were not married. Dido was named after her mother, her great-uncle’s first wife, Elizabeth, and for Dido the Queen of Carthage. â€Å"Dido† was the name of a popular 18th-century play, William Murray, a descendant of Dido’s great-uncle, later said. â€Å"It was probably chosen to suggest her elevated status,† he said. â€Å"It says: ‘This girl is precious, treat her with respect.’† A New Beginning At about the age of 6, Dido parted ways with her mother and was sent to live with her great-uncle William Murray, Earl of Mansfield, and his wife in England. The couple was childless and already raising another great-niece, Lady Elizabeth Murray, whose mother had died. It’s unknown how Dido felt about the separation from her mother, but the split resulted in the mixed-race child being raised as an aristocrat rather than a  slave (she did, however, remain the property of Lord Mansfield). Dido grew up at Kenwood, a royal estate outside of London, and was allowed to receive a royal education. She even served as the earl’s legal secretary, assisting him with his correspondence (an unusual responsibility for a woman at the time). Misan Sagay, who wrote the screenplay for the film â€Å"Belle,† said that the earl appeared to treat Dido nearly equally to her completely European cousin. The family purchased the same luxurious items for Dido that they did for Elizabeth. Quite often if they were buying, say, silk bed hangings, they were buying for two, Sagay said. She believes that the earl and Dido were very close, as he wrote about her with affection in his diaries. Friends of the family- including Thomas Hutchinson, the governor of the Province of Massachusetts Bay- also noted the close relationship between Dido and the earl. Scottish philosopher James Beattie noted her intelligence, describing Dido as a negro girl about 10 years old, who had been six years in England, and not only spoke with the articulation and accent of a native, but repeated some pieces of poetry, with a degree of elegance, which would have been admired in any English child of her years. Life at Kenwood A 1779 painting of Dido and her cousin Elizabeth- which now hangs in Scotland’s Scone Palace- shows that Dido’s skin color did not give her inferior status at Kenwood. In the painting, both she and her cousin are dressed in finery. Also, Dido is not positioned in a submissive pose, as blacks typically were in paintings during that time period. This portrait- the work of Scottish painter David Martin- is largely responsible for generating public interest in Dido over the years, as is the notion, which remains in dispute, that she influenced her uncle, who served as Lord Chief Justice, to make legal decisions that led to slavery in England being abolished. The one indication that Dido’s skin color did result in her being treated differently at Kenwood is that she was forbidden to take part in formal dinners with her family members. Instead, she had to join them after such meals concluded. Francis Hutchinson, an American visitor to Kenwood, described this phenomenon in a letter. A black came in after dinner and sat with the ladies and, after coffee, walked with the company in the gardens, one of the young ladies having her arm within the other,† Hutchinson wrote. â€Å"He [the earl] calls her Dido, which I suppose is all the name she has.† Inheritance Although Dido was slighted during meals, William Murray cared enough about her to want her to live autonomously after his death. He left her a large inheritance and granted Dido her freedom when he died at the age of 88 in 1793. Death After her great-uncle’s death, Dido married Frenchman John Davinier  and bore him three sons. She died in July 1804 at age 43. Dido was buried in the cemetery at St. Georges Fields, Westminster. Legacy Much of Didos unusual life remains a mystery. It was David Martins portrait of her and her cousin Elizabeth that initially stirred so much interest in her. The painting inspired the 2013 film Belle, a speculative work about the aristocrats unique life. Other works about Dido include the plays Let Justice Be Done and An African Cargo; the musical Fern Meets Dido; and the novels Family Likeness and Belle: The True Story of Dido Belle. The absence of recorded information about Didos life has made her an enigmatic figure and the source of endless speculation. Some historians believe she may have influenced her uncle in making his historic anti-slavery rulings as Lord Chief Justice of England and Wales. Sources Bindman, David, et al. The Image of the Black in Western Art. Belknap Press, 2014.Jeffries, Stuart. â€Å"Dido Belle: the Artworld Enigma Who Inspired a Movie.† The Guardian, Guardian News and Media, 27 May 2014.Poser, Norman S. Lord Mansfield: Justice in the Age of Reason. McGill-Queens University Press, 2015.